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EVENT REPORT   03.11.08 10:26 AM PRINT | SEND TO A FRIEND |
Courtly Cover
For the New York City Opera's spring gala, celebrating the opening night of Mark Morris's take on King Arthur, long sashes of fabric formed a tent over the promenade of the New York State Theater.
Taking its cue from the spring production of Henry Purcell's King Arthur—a performance presented by the Mark Morris Dance Group, with costumes by Isaac Mizrahi—the New York City Opera used long strips of fabric to create a tentlike covering for its spring gala inside the New York State Theater on Wednesday night. The Opera's director of special events, Sarah Denton, oversaw the event, which was designed by David Stark and set up in the two-hour window between the start of the performance and the beginning of dinner.

For Denton and Stark, the challenge was not only to devise a decor scheme that wouldn't take too long to construct, but also to create a look that was as modern and progressive as the production but still spoke to the medieval motif. (Director and choreographer Mark Morris chose to discard Arthur's spoken text, and the costumes are a mix of modern and historic.) So while long banquet tables replaced the oft-used rounds, the menu did not include cliché items like chicken drumsticks and steins of ale. Using a minimum of bells and whistles, Stark focused on bright, spring colors and added subtle touches like daffodils potted in pewter mugs to evoke a medieval feast.
CONTINUED >

PHOTO GALLERY

Behind screens in the promenade, Restaurant Associates prepared the food for dinner. - Photo: Joe Fornabaio for BizBash
Behind screens in the promenade, Restaurant Associates prepared the food for dinner.
Photo: Joe Fornabaio for BizBash
Evoking Isaac Mizrahi's colorful costumes, long, pastel-colored strips of fabric covered the dinner area, shaped to look like a tent by wires and a circular frame. - Photo: Joe Fornabaio for BizBash
Evoking Isaac Mizrahi's colorful costumes, long, pastel-colored strips of fabric covered the dinner area, shaped to look like a tent by wires and a circular frame.
Photo: Joe Fornabaio for BizBash
To emulate the style of a medieval banquet, the Promenade was filled with long tables. - Photo: Joe Fornabaio for BizBash
To emulate the style of a medieval banquet, the Promenade was filled with long tables.
Photo: Joe Fornabaio for BizBash
Each table held arrangements of daffodils in pewter chalices and mugs, as well as platters of lemons. - Photo: Joe Fornabaio for BizBash
Each table held arrangements of daffodils in pewter chalices and mugs, as well as platters of lemons.
Photo: Joe Fornabaio for BizBash
The canopy of fabric peaked over the dance floor. - Photo: Joe Fornabaio for BizBash
The canopy of fabric peaked over the dance floor.
Photo: Joe Fornabaio for BizBash
Musical entertainment included brass fanfare that signaled the start of dinner. - Photo: Joe Fornabaio for BizBash
Musical entertainment included brass fanfare that signaled the start of dinner.
Photo: Joe Fornabaio for BizBash
Sponsor William Grant & Sons supplied a bar serving Balvenie—single-malt Scotch whiskey—for the evening. - Photo: Joe Fornabaio for BizBash
Sponsor William Grant & Sons supplied a bar serving Balvenie—single-malt Scotch whiskey—for the evening.
Photo: Joe Fornabaio for BizBash
   
New York City Opera's Spring Gala

Catering Catering by Restaurant Associates
Design, Production David Stark Design and Production
Music Duchin Entertainment
PR Lisa Lori Communications
Venue Lincoln Center—David H. Koch Theater

Honoring Edmée de M. Firth, the founder of the opera's General Director's Council, the event drew 600 guests and raised more than $1 million.

  —Anna Sekula
RELATED TOPICS New York City Opera, William Grant & Sons, Balvenie

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