- Audiovisual Production, Lighting, Production, Scenic Design, Video Glow Design Group
- Catering Abigail Kirsch Off-Premises Catering
- DJ Paul Sevigny
- Entertainment Gallim Dance Company
- Installation Tronic Studio LLC
- Labor Top Notch Productions
- Labor, Rigging, Staging Bestek Lighting & Staging
- PR Nike Communications Inc.
- Scenic Fabrication Cigar Box Studios Inc.
- Venue Vanderbilt Hall at Grand Central Terminal
Search our directory
NEW YORK To celebrate the global launch of its flagship L.12.12 fragrance, its first-ever scent collection for men, Lacoste harkened back to founder René Lacoste's roots as an inventor, with a multifaceted approach that tapped into such realms as dance, color, virtual technology, and even a live art installation.
Developed by Glow Design Group—the New York-based event design and production company that recently oversaw Jaguar's 50th anniversary party for its E-type car at the IAC Building—the event on Monday at Grand Central Terminal's Vanderbilt Hall kicked off with a performance for 300 guests by the Gallim Dance Company, alongside Lacoste fans the brand brought in using its Facebook page. And following remarks from Lacoste Fragrances executive Antoine Delagrange and a second dance performance that featured music by Grandmaster Flash and the Furious Five, The Social Network actor Max Minghella—whose connection was no coincidence, given the affair's emphasis on social media—delivered the kabuki drop reveal of live sculpture “La Machine L.12.12.”
“Today was all about timing compounded by very strict rules about where things can be placed,” said Glow Design Group principal Craig Robillard. His team of 50 workers were given very specific time frames for the build-out—midnight to 5 a.m., then starting again at 5 p.m.—to keep the public passage between the east and west sides of the hall open to pedestrian traffic. In addition to the standard permits necessary for a launch of this scale, Robillard noted the extra level of approvals, from the fire marshal and the N.Y.P.D. to the Metro North police and the terminal's landlord.
Initial conversations between Robillard and Lacoste started in May. “Lacoste said they had an installation in the works and wanted us to design and stage a big opening night party and dramatic reveal of the space,” Robillard said. The resulting kabuki drop was something his company was familiar with, having done a fair share of them in the past, including once covering an entire 747 at Newark Airport with a 60- by 170-foot drape.
The virtual and mechanical art installation, built by Tronic and measuring about 50 by 28 feet, is powered by the collaboration of Lacoste’s nearly 6.5 million Facebook fans. The fragrance trio speaks directly to the iconic Lacoste polo, the L.12.12, translated into three scents. “La Machine 12.12,” meanwhile, represents the convergence of a traditional art form with a social media platform, where 35,000 social media fans will generate the content that appears on the sculpture.
The device was fully designed digitally, using Standard Robot and Smart Architecture technology. According to Jesse Seppi, co-founder and director of Tronic, the installation was constructed from about 70 hexagonal-shaped high-density foam modular panels, while the individual monitors were assembled to form a vast “living skin” to resemble—you guessed it—the scaly texture of a crocodile, the brand's signature logo. The concept behind “La Machine L.12.12” is to visualize the transformation of the iconic shirt into a fragrance bottle every 20 seconds using advanced logarithms. Mechanically, the shirt is consumed by contraption and on the virtual side, animated video sequences generated by Lacoste social media fans splash across the surface. At the end of this digital interaction, a physical fragrance bottle appears from “La Machine,” completing the cycle of metamorphosis.
According to Olivier Bamberger, North America regional director at Lacoste S.A., it was all about establishing and reinforcing a digital connection between the Lacoste fragrance and the Lacoste polo. “I wanted [a venue with] maximum traffic because it’s staying up for nine days,” said Bamberger, who initially threw around such venues as the New Museum and the Museum of Modern Art. “In the end, Grand Central Terminal was the ideal setting. The architecture here balances the modernity [of the fragrance and the brand] nicely.”
While no concrete plans have been set, Lacoste’s Bamberger did hint at the notion that “La Machine L.12.12” may embark on a global trip to various cities, as the contraption can be broken down into about 12 compact pieces. In the meantime, the installation will be exhibited at Grand Central Terminal through September 27.
Editor's Note: This story was updated on September 29, 2011.