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  1. Venues & Destinations
  2. United States
  3. New York

Moroccan Tourist Office Builds Red City Replica to Promote Travel to Marrakech

Jim Shi
October 5, 2010

To celebrate Marrakech as the newest destination on the glam set’s itinerary and further promote the city as anything but a dusty hippie hideaway, Moroccan National Tourist Board C.E.O. Hamid Addou looked to bring an authentic Red City experience to New York on September 28. The event at Skylight Soho was part of an integrated campaign that also saw pit stops in Berlin, Milan, and Paris. For the Manhattan leg of the marketing tour, Paris-based production company Le Public Système worked with Chakib Ghadouani, the board’s New York-based marketing manager, as well as Vanessa Weiner von Bismarck, principal at public relations firm B.P.C.M., to organize and orchestrate a seated “Red by Marrakech” dinner for nearly 300 guests that, for one night, transported them to the North African city (minus the jet lag).

“We wanted to bring a taste of the city of Marrakech to New York and make it appealing to New Yorkers,” said Ghadouani. To achieve that, Le Public Système brought elements of the city’s rich culture—from the decor and music to the food and even the furniture—straight from Marrakech on three large ocean containers. The production took three days to set up and just one to break down.

Upon arrival, guests—as well as hosts Alan Cumming and Anjelica Huston—were ushered through a “Red Door” (a replication of the entrance to Marrakech Town Center) and greeted by a musician playing the khanoun, a Middle Eastern musical string instrument. Greeted by hostesses clad in authentic Moroccan caftans, the attendees received special tokens (bracelets for men, necklaces for women) as a sign of welcome as they checked in. “The goal of the dinner is to let people discover the city of Marrakech—the spirit, the color, the food, the vibe,” said Nicolas Manessiez, production coordinator at Le Public Système, who worked with four colleagues on this event. “We needed to give a traditional aspect mixed with the modern and trendy ways Marrakech can be.”

During cocktails, guests explored vignettes erected in the 10,000-square-foot space, each designed to represent different aspects of Moroccan life. Red, Marrakech’s traditional hue, was the underlying color scheme, with walls painted red and 7,000 square feet of red carpet running along an authentic moucharabieh wall (the carved wooden latticework present in traditional Arabic architecture) imported from Marrakech.

Summoned to their seats by Barriz, a storyteller from the Place Jamaa el-Fna who appeared on four oversize projection screens, guests started dinner with traditional Moroccan appetizers, served family-style on each of the 30 tables. A main dish of confit of chicken with dates, apple, and dried fruit ratatouille followed, accompanied by wines, and capped off with Moroccan mint tea and a dessert of caramelized pear with ras el hanout-spiced ice cream. In between courses, performers—including a dance troupe choreographed by Le Public Système creative director Anne Trompette, Gnawa musicians, and a modern dance duo—took to a custom, star-shaped stage in the center of the room.

After New York, the “Red by Marrakech” dinner moves on to London in November.

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Photo: Billy Farrell/BFA
A sparking red gate, a replica of the iconic Red Door entrance to Marrakech Town Center, was erected outside Skylight Studios and served as the entrance to the event. The marketing strategy from the Moroccan National Tourist Office also included the construction and placement of three additional gateways around the city.
A sparking red gate, a replica of the iconic Red Door entrance to Marrakech Town Center, was erected outside Skylight Studios and served as the entrance to the event. The marketing strategy from the Moroccan National Tourist Office also included the construction and placement of three additional gateways around the city.
Photo: Joe Schildhorn/BFA
To welcome guests, a traditional khmissa or Fatima hand was specially designed and given out at the event. Women received a necklace, and men a bracelet, after checking in.
To welcome guests, a traditional khmissa or Fatima hand was specially designed and given out at the event. Women received a necklace, and men a bracelet, after checking in.
Photo: Joe Schildhorn/BFA
To make the two bars look as though they were made from real gold, the design team covered them with metallic sheets. From these posts, bartenders served a specialty drink called the Casbah Rouge martini, a mix of rum, ginger beer, grapefruit juice, and cloves.
To make the two bars look as though they were made from real gold, the design team covered them with metallic sheets. From these posts, bartenders served a specialty drink called the Casbah Rouge martini, a mix of rum, ginger beer, grapefruit juice, and cloves.
Photo: Joe Schildhorn/BFA
To present different snapshots of life in the Red City, the producers set up a series of vignettes, including a lounge of traditional Moroccan furniture mixed with modern pieces designed by Marrakech citizens. All furniture and props depicting Moroccan life were shipped to New York from Marrakech.
To present different snapshots of life in the Red City, the producers set up a series of vignettes, including a lounge of traditional Moroccan furniture mixed with modern pieces designed by Marrakech citizens. All furniture and props depicting Moroccan life were shipped to New York from Marrakech.
Photo: Joe Schildhorn/BFA
Prior to dinner, guests enjoyed cocktails in one of two specially built rooms designed to recall the offerings of Marrakech. In one room was a wellness area showcasing how the city's spas and relaxation venues blend modern and traditional practices.
Prior to dinner, guests enjoyed cocktails in one of two specially built rooms designed to recall the offerings of Marrakech. In one room was a wellness area showcasing how the city's spas and relaxation venues blend modern and traditional practices.
Photo: Joe Schildhorn/BFA
A total of 30 tables accommodated 288 guests for dinner. Marrakech's signature red was infused into the decor, from the obvious red carpet to the more subtle napkin rings, made from thin strips of suede.
A total of 30 tables accommodated 288 guests for dinner. Marrakech's signature red was infused into the decor, from the obvious red carpet to the more subtle napkin rings, made from thin strips of suede.
Photo: Joe Schildhorn/BFA
Under the direction of Zakia Aît Aboulahcen, daughter of one of the revered La Mamounia chefs and known for her authentic Moroccan dishes, caterer Sonnier & Castle collaborated with Potel et Chabot to create modern delicacies for guests. Twelve mezze plates, or traditional Moroccan starters, were placed on the tables, including ginger carrots with thyme, caramelized quince, candied tomatoes with almonds, and aubergine caviar.
Under the direction of Zakia Aît Aboulahcen, daughter of one of the revered La Mamounia chefs and known for her authentic Moroccan dishes, caterer Sonnier & Castle collaborated with Potel et Chabot to create modern delicacies for guests. Twelve mezze plates, or traditional Moroccan starters, were placed on the tables, including ginger carrots with thyme, caramelized quince, candied tomatoes with almonds, and aubergine caviar.
Photo: Joe Schildhorn/BFA
About 7,000 square feet of space was carpeted for dinner. Barriz, the storyteller from the Place Jemaa el-Fna, appeared on large projection screens to signal the start of the meal. To separate the dinner section from the rest of the venue, the producers used a 280-foot-long red moucharabieh wall, which was custom-made for the occasion and transported from Marrakech.
About 7,000 square feet of space was carpeted for dinner. Barriz, the storyteller from the Place Jemaa el-Fna, appeared on large projection screens to signal the start of the meal. To separate the dinner section from the rest of the venue, the producers used a 280-foot-long red moucharabieh wall, which was custom-made for the occasion and transported from Marrakech.
Photo: Joe Schildhorn/BFA
During dinner, five musicians performed traditional Gnawa music, meant to mimic the atmosphere of the countryside and old Morocco.
During dinner, five musicians performed traditional Gnawa music, meant to mimic the atmosphere of the countryside and old Morocco.
Photo: Billy Farrell/BFA
Event hosts Alan Cumming and Anjelica Huston joined Hamid Addou, C.E.O. of the Moroccan National Tourist Office, in welcoming guests. 'My father made one of his best films in Morocco,' Huston told the crowd. 'I urge you all to book your flights tonight!'
Event hosts Alan Cumming and Anjelica Huston joined Hamid Addou, C.E.O. of the Moroccan National Tourist Office, in welcoming guests. "My father made one of his best films in Morocco," Huston told the crowd. "I urge you all to book your flights tonight!"
Photo: Joe Schildhorn/BFA
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