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  1. Catering & Design
  2. Rentals

Local Artists Craft Decor For Brooklyn Museum's Annual Ball

Anna Sekula
April 29, 2011

After last year's interactive feast, the Brooklyn Museum turned the tables on the Brooklyn Ball again by bringing in local artists to design an engaging environment through site-specific installations and tabletop centerpieces. The art institution's annual gala, which furnished the museum's Great Hall and Beaux-Arts Court with fabric canopies, large-scale video projections, x-ray prints, and other curious objects, gathered more than 600 guests, including honorary co-chairs Sarah Jessica Parker and Liv Tyler, designer Cynthia Rowley, and retiring Brooklyn Museum chair Norman M. Feinberg.

For the cocktail reception in the Great Hall, Situ Studio looked to alter the shape and perception of scale by creating an architectural installation shaped around existing columns. Fabric canopies lit from within and fashioned around enormous metal rings formed mushroom-like structures that towered overhead and made the space feel more intimate. The piece, which was titled "reOrder: An Architectural Environment," also included curved wooden structures that sat at the base and middle of the columns, providing seating and cocktail tables for guests.

The dinner environment inside the Beaux-Arts Court was just as immersive, with table decorations created by 16 different artists. The settings ranged in size and scope, from Justin Cooper's simple design of 40 15-inch garden hoses placed upright in two rows and Jason Miller's bundles of bread to Bo Joseph's display of colorful x-rays on bottle-drying racks and Vadis Turner's ornate arrangement of papier mâché balloons, ribbon-wrapped cast of her body, and jewel-encrusted eggshells.

Catering for the affair was handled by Restaurant Associates. During the reception, waiters served a menu of passed hors d'oeuvres such as miniature New England lobster rolls with saffron aioli, fried truffle mac 'n' cheese cubes, spiced chicken samosas with a cilantro yogurt dip, and Belgian endives with beets, apples, and Gorgonzola. Dinner consisted of chopped vegetable timbale with layers of avocado, quinoa, and chopped spring vegetables, grilled hanger steak accompanied by blue cheese butter, roasted fingerling and purple Peruvian potatoes, and sautéed baby spring spinach, and a variety of miniature sweets, like key lime tartlets, red velvet whoopie pies, and s'mores.

In total, the event raised $575,000 for the Brooklyn Museum.

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Photo: Ronnie Andren for BizBash
To change the shape of the museum's Great Hall for the event's cocktail reception, Brooklyn-based Situ Studio fabricated a site specific installation of fabric canopies.
To change the shape of the museum's Great Hall for the event's cocktail reception, Brooklyn-based Situ Studio fabricated a site specific installation of fabric canopies.
Photo: Ronnie Andren for BizBash
Installed around the space's existing columns, Situ Studio's mushroom-shaped structures were lit from within and projections on the exterior helped create a fanciful look for the reception.
Installed around the space's existing columns, Situ Studio's mushroom-shaped structures were lit from within and projections on the exterior helped create a fanciful look for the reception.
Photo: Ronnie Andren for BizBash
An additional component to Situ Studio's 'reOrder: An Architectural Environment' placed curving structures at the base and the middle of the columns, providing seating and cocktail tables for guests.
An additional component to Situ Studio's "reOrder: An Architectural Environment" placed curving structures at the base and the middle of the columns, providing seating and cocktail tables for guests.
Photo: Ronnie Andren for BizBash
The reception also exhibited work by video artist and designer Sean Capone, a large-scale, animated projection that covered one wall with moving floral patterns.
The reception also exhibited work by video artist and designer Sean Capone, a large-scale, animated projection that covered one wall with moving floral patterns.
Photo: Ronnie Andren for BizBash
Presented on colorful dishes, the reception's passed hors d'oeuvres from Restaurant Associates included spiced chicken samosas with a cilantro yogurt dip, fried truffle mac 'n' cheese cubes, and Belgian endives with beets, apples, and Gorgonzola.
Presented on colorful dishes, the reception's passed hors d'oeuvres from Restaurant Associates included spiced chicken samosas with a cilantro yogurt dip, fried truffle mac 'n' cheese cubes, and Belgian endives with beets, apples, and Gorgonzola.
Photo: Ronnie Andren for BizBash
The museum's grand Beaux-Arts Court served as the site for the 600-person dinner. To decorate the tables, the museum partnered with 16 local artists.
The museum's grand Beaux-Arts Court served as the site for the 600-person dinner. To decorate the tables, the museum partnered with 16 local artists.
Photo: Ronnie Andren for BizBash
Artist Kent Hendricksen created two similar, but slightly different centerpiece designs, employing porcelain tree sculptures carved with phrases that represent human struggle and triumph.
Artist Kent Hendricksen created two similar, but slightly different centerpiece designs, employing porcelain tree sculptures carved with phrases that represent human struggle and triumph.
Photo: Ronnie Andren for BizBash
Designed by artist Dustin Yellin and titled 'The Strangers,' transparent blocks with yellow-green coloring formed a striking look for one table.
Designed by artist Dustin Yellin and titled "The Strangers," transparent blocks with yellow-green coloring formed a striking look for one table.
Photo: Ronnie Andren for BizBash
Yellin embedded his blocks with cloudy forms and cut-out images of people to convey the sky, memories, and detritus.
Yellin embedded his blocks with cloudy forms and cut-out images of people to convey the sky, memories, and detritus.
Photo: Ronnie Andren for BizBash
Valerie Hegarty's sculptural creation was inspired by five still life paintings in the Brooklyn Museum's American Wing. The centerpiece consisted of crows attacking fruit-shaped objects.
Valerie Hegarty's sculptural creation was inspired by five still life paintings in the Brooklyn Museum's American Wing. The centerpiece consisted of crows attacking fruit-shaped objects.
Photo: Ronnie Andren for BizBash
Heather Rowe looked to create an interactive piece using open, hinged wood structures decorated with mirrors and wallpaper that would frame and reflect the guests seated at the table.
Heather Rowe looked to create an interactive piece using open, hinged wood structures decorated with mirrors and wallpaper that would frame and reflect the guests seated at the table.
Photo: Ronnie Andren for BizBash
Inspired by the northwest native American tradition of 'potlatch,' artist Shinique Smith decorated her table with objects she made by hand. Smith intended for guests to take the items home.
Inspired by the northwest native American tradition of "potlatch," artist Shinique Smith decorated her table with objects she made by hand. Smith intended for guests to take the items home.
Photo: Ronnie Andren for BizBash
The concept of the table Bo Joseph created came from the Latin phrase 'tabula rasa,' meaning blank tablet. On bottle drying racks and illuminated by fluorescent light bulbs, the artist displayed ink jet-printed x-rays of the Brooklyn Museum's collection.
The concept of the table Bo Joseph created came from the Latin phrase "tabula rasa," meaning blank tablet. On bottle drying racks and illuminated by fluorescent light bulbs, the artist displayed ink jet-printed x-rays of the Brooklyn Museum's collection.
Photo: Ronnie Andren for BizBash
Other elements of Joseph's table pointed to the blank slate concept including plain graphic placemats decorated with x-ray-style imagery.
Other elements of Joseph's table pointed to the blank slate concept including plain graphic placemats decorated with x-ray-style imagery.
Photo: Ronnie Andren for BizBash
The centerpiece of Aleksandar Duravecevic's table was a taxidermied ram.
The centerpiece of Aleksandar Duravecevic's table was a taxidermied ram.
Photo: Ronnie Andren for BizBash
The details in Duravecevic's design included a table cloth of mirrored Mylar printed with pages from Walt Whitman's Leaves of Grass poetry collection and flowers embedded in blocks of ice.
The details in Duravecevic's design included a table cloth of mirrored Mylar printed with pages from Walt Whitman's Leaves of Grass poetry collection and flowers embedded in blocks of ice.
Photo: Ronnie Andren for BizBash
Perhaps the most lavish table was the one designed by Vadis Turner, a work the artist dubbed 'Burial Feast.' Littered with jewel-encrusted eggshells, fabric flowers, and crochet doilies, the piece also included four ribbon-wrapped paper casts of the artist adorned with papier-mâché balloons.
Perhaps the most lavish table was the one designed by Vadis Turner, a work the artist dubbed "Burial Feast." Littered with jewel-encrusted eggshells, fabric flowers, and crochet doilies, the piece also included four ribbon-wrapped paper casts of the artist adorned with papier-mâché balloons.
Photo: Ronnie Andren for BizBash
For his piece, Justin Cooper fitted 40 15-inch garden hoses with armatures and placed them in two rows. The playful design was intended to stylize a simple object, while simultaneously rendering it useless.
For his piece, Justin Cooper fitted 40 15-inch garden hoses with armatures and placed them in two rows. The playful design was intended to stylize a simple object, while simultaneously rendering it useless.
Photo: Ronnie Andren for BizBash
Inspired by harbor seals that gather in the water surrounding Swinburne Island in April, Duke Riley used a handmade, silk-screened tablecloth patterned with images of seals. Decorative objects included sea debris.
Inspired by harbor seals that gather in the water surrounding Swinburne Island in April, Duke Riley used a handmade, silk-screened tablecloth patterned with images of seals. Decorative objects included sea debris.
Photo: Ronnie Andren for BizBash
Jason Miller's tongue-in-cheek design dubbed 'Bread' consisted entirely of bundles of bread.
Jason Miller's tongue-in-cheek design dubbed "Bread" consisted entirely of bundles of bread.
Photo: Ronnie Andren for BizBash
Angel Otero looked to create irony by choosing to design a centerpiece that looked like the remains of a dinner party. Covered in gold, the messy arrangement of glassware, cups, plates, and bowls also featured crows.
Angel Otero looked to create irony by choosing to design a centerpiece that looked like the remains of a dinner party. Covered in gold, the messy arrangement of glassware, cups, plates, and bowls also featured crows.
Photo: Ronnie Andren for BizBash
Another inspired by the museum's artwork was the table environment created by Sara VanDerBeek and Anya Kielar. Intended as something guests could investigate throughout the evening, the table consisted of 45 plaster objects in various shapes and sizes.
Another inspired by the museum's artwork was the table environment created by Sara VanDerBeek and Anya Kielar. Intended as something guests could investigate throughout the evening, the table consisted of 45 plaster objects in various shapes and sizes.
Photo: Ronnie Andren for BizBash
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