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  1. Production & Strategy
  2. Experiential Marketing, Activations & Sponsorships

Stella Artois Turns 'Catch Me If You Can' Screening Into Experiential Outing for Members Society

Anna Sekula
November 17, 2011

These days many beverage brands are courting consumers with exclusive clubs and private events, and over the weekend Stella Artois brought 450 guests from its members-only La Société to Casa Lever for what "Feast on Film," a series of private screenings with a menu crafted by chef Jonathan Waxman. To make the four showings of the Catch Me If You Can (a movie choice kept secret from attendees until the event's start) more interesting than the regular dinner-and-a-movie outing, the Belgian beer brand turned the restaurant into a 1960s airport lounge and plane, complete with flight attendants, air tickets, and vintage magazines.

Working with creative agency Mother New York on the concept and production, Stella Artois took advantage of venue's retro-style architecture and added a handful of key visuals to round out the experience. Staring with a check-in desk, where female staffers dressed as flight attendants handed each guest a plane ticket with their seat number, and a brief reception in a lounge, attendees were then ushered into the restaurant where the bar was stocked with vintage '60s copies of magazines like Life, Newsweek, Esquire, and Time, as well as Stella Artois and wine.

These tongue-in-cheek nods to the film didn't end when the film began. Each table was given a cabin-service menu, a pilot made announcements, and at one point the lights flickered as a play on turbulence.

However, the selection from Waxman, noted for his West Village restaurant Barbuto, wasn't the fare you'd typically see on flights. The menu included an amuse bouche of autumn vegetable crudites with blue cheese dip, a special Caesar salad, a main course of roast Chateaubriand with sauce espagnole, pommes rissole, carrots, and wilted spinach, and Stella Artois beer ice cream served with caramel popcorn balls for dessert.

Stella Stand Alone
Photo: Joshua Dalsimer
At the entrance to the event, which was set up in the courtyard adjacent to the restaurant, staffers dressed as flight attendants checked in guests.
At the entrance to the event, which was set up in the courtyard adjacent to the restaurant, staffers dressed as flight attendants checked in guests.
Photo: Joshua Dalsimer
As part of the experience, seating assignments were given in the form of a plane ticket, which claimed the flight departed from New York and arrived in Los Angeles.
As part of the experience, seating assignments were given in the form of a plane ticket, which claimed the flight departed from New York and arrived in Los Angeles.
Photo: Joshua Dalsimer
Inside Casa Lever, the hostess stand was remade as the departure gate counter, where guests could check their tickets against a seating chart.
Inside Casa Lever, the hostess stand was remade as the departure gate counter, where guests could check their tickets against a seating chart.
Photo: Joshua Dalsimer
Guests could wait in the bar before being seated and old issues of Life, Time, and Newsweek provided plenty of reading material in theme with the time period of the film.
Guests could wait in the bar before being seated and old issues of Life, Time, and Newsweek provided plenty of reading material in theme with the time period of the film.
Photo: Joshua Dalsimer
Flight attendants opened the screening portion of the event with a show that mimicked the pre-flight safety demonstrations usually done aboard commercial aircrafts.
Flight attendants opened the screening portion of the event with a show that mimicked the pre-flight safety demonstrations usually done aboard commercial aircrafts.
Photo: Joshua Dalsimer
The event rearranged the restaurant's normal table setup so all guests faced the screen at the rear. Even the booths at the side had smaller screens to watch the film.
The event rearranged the restaurant's normal table setup so all guests faced the screen at the rear. Even the booths at the side had smaller screens to watch the film.
Photo: Joshua Dalsimer
During the screening, chef Jonathan Waxman prepped the dishes from his menu at the front.
During the screening, chef Jonathan Waxman prepped the dishes from his menu at the front.
Photo: Joshua Dalsimer
As a grand finale, timed to the climax of the movie, a confetti-like explosion littered the front rows with fake checks made out to Tom Hanks' character, Carl Hanratty.
As a grand finale, timed to the climax of the movie, a confetti-like explosion littered the front rows with fake checks made out to Tom Hanks' character, Carl Hanratty.
Photo: Joshua Dalsimer
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