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  1. Catering & Design
  2. Event Design & Decor

Diffa Designers Weave Marketing Into Stylish Dinner Settings

At this year's Dining By Design benefit, many designers used subtle branding  to showcase sponsors such as Benjamin Moore, Disney, and J.C. Penney.

Lisa Cericola
March 24, 2010

Design Industries Foundation Fighting AIDS (Diffa) hosted its annual Dining by Design benefit gala at Pier 94 on Monday night. Concurrent with the Architectural Digest Home Design Show, the design showcase ran for five days of ticketed and public events and showcased 32 dining spaces created by artists, architects, and fashion, interior, and event designers. While many drew inspiration from an eclectic mix of muses (the circus, Audrey Hepburn movies, springtime), other designers based their creations around sponsors such as J.C. Penney, Ralph Lauren, and Benjamin Moore. Sponsored tables are always a part of Dining By Design, but a stronger promotional presence was felt this year.

"It's a delicate balance of showing your branding without being blatant," said Michael Tavano, who oversaw the New York Design Center's table as well as a table created by students from the New York School of Interior Design. "There's a fine line between being cheesy and doing it artfully." He created a straight-from-the-showroom setting for the design center, complete with tags identifying the source of each item, from furniture to pillows.

"There's an unspoken agreement that they don't overbrand," said Steven Williams, Diffa's director of community relations and operations, who planned Dining by Design with Peggy Bellar, director of special events. "We try to encourage our designers and sponsors to be sensitive to the fact that this is a charity event and not a trade show. It should be subtle. Disney's table has a mouse, but it's not completely Disneyized." Williams did note that the connection to the Architectural Digest show (which included Diffa in this year's ticket price for the first time) brings in more consumers, which increases the sponsors' desire to have a visible presence.

Disney's cheerful dining room had a large white Mickey Mouse sculpture, and Ralph Lauren Home used saddles, riding crops, and a chandelier trimmed with prize ribbons to create a bold equestrian theme evocative of the brand. J.C. Penney's table, designed by Shiraz Events, Atomic Design, and Sara Costello, spelled out the retailer's name on a wall in actual pennies. David Stark Design and Production wove Benjamin Moore's paint colors and line drawings of its iPhone app into wallpaper designs and, more playfully, created a candelabrum with images of candles on actual iPhones.

Opportunities to donate money were also more apparent this year. Brad Ford's piggy bank-topped table, returned for a second year, so attendees could slip change and bills into the clear tabletop. Organizers placed items for auction throughout the space, either grouped together on large tables or in small living room-style vignettes. For the first time, these items remained on display for the entire run. Also new this year, five designers, including Cole & Garrett and Razortoothdesign, decorated Vipp trash cans that guests could also bid on. 

Monday night's dinner, where 375 guests dined at the actual tables, followed a $150-a-head cocktail party on Thursday, and Sunday's Table Hop and Taste ($50 a ticket), which drew 500 and offered dishes from local restaurants such as Buddakan and Kittichai. The installations were open to the public Thursday through Saturday, which attracted an estimated 7,000. In total, the events raised $450,000 for AIDS service organizations.

David Stark's table for Benjamin Moore
David Stark's table for Benjamin Moore
Photo: Emily Gilbert for BizBash
Disney's sleek setting included colorful chairs from the Walt Disney Signature furniture collection as well as a giant Mickey Mouse sculpture atop the structure.
Disney's sleek setting included colorful chairs from the Walt Disney Signature furniture collection as well as a giant Mickey Mouse sculpture atop the structure.
Photo: Emily Gilbert for BizBash
J.C. Penney's table, by Shiraz Events, Atomic Design, and Sara Costello, used items from its Cindy Crawford home collection in a traditional dining room look. The design team also spelled out the company's name in pennies.
J.C. Penney's table, by Shiraz Events, Atomic Design, and Sara Costello, used items from its Cindy Crawford home collection in a traditional dining room look. The design team also spelled out the company's name in pennies.
Photo: Emily Gilbert for BizBash
David Stark Design and Production created a table based around Benjamin Moore's new iPhone app. Images of iPhones using the program appeared on the walls as did sample paint colors.
David Stark Design and Production created a table based around Benjamin Moore's new iPhone app. Images of iPhones using the program appeared on the walls as did sample paint colors.
Photo: Emily Gilbert for BizBash
Ralph Lauren Home went for a polo-inspired look, complete with a grassy carpet, saddles, and an outdoorsy gazebo-like structure.
Ralph Lauren Home went for a polo-inspired look, complete with a grassy carpet, saddles, and an outdoorsy gazebo-like structure.
Photo: Emily Gilbert for BizBash
The New York Design Center's table displayed items from its showroom, tagged with the names of the designers. The setting also included a live Twitter feed on a flat-screen television and bloggers who wrote about Diffa each day.
The New York Design Center's table displayed items from its showroom, tagged with the names of the designers. The setting also included a live Twitter feed on a flat-screen television and bloggers who wrote about Diffa each day.
Photo: Emily Gilbert for BizBash
David Beahm's table for Continental Airlines did not go for a branded look. Instead, the designer created a space reminiscent of a secret garden, complete with twisted vines, cascading tulips and orchids, and a large chandelier.
David Beahm's table for Continental Airlines did not go for a branded look. Instead, the designer created a space reminiscent of a secret garden, complete with twisted vines, cascading tulips and orchids, and a large chandelier.
Photo: Emily Gilbert for BizBash
'A Call to Action' was the name of Goil Amornvivat and Thomas Morbitzer's bold telephone-themed table for TUG Studio. Not only was the centerpiece comprised of old phone books and actual phones, each place setting acted as a number on a rotary phone.
"A Call to Action" was the name of Goil Amornvivat and Thomas Morbitzer's bold telephone-themed table for TUG Studio. Not only was the centerpiece comprised of old phone books and actual phones, each place setting acted as a number on a rotary phone.
Photo: Emily Gilbert for BizBash
Kravet's space had colorful upholstered chairs that fit around the dining table like a puzzle when pushed in. Atop each setting was a fabric box filled with dishes and a set of chopsticks.
Kravet's space had colorful upholstered chairs that fit around the dining table like a puzzle when pushed in. Atop each setting was a fabric box filled with dishes and a set of chopsticks.
Photo: Emily Gilbert for BizBash
Jes Gordon's whimsical bar-height table included a faux hedge divider topped with birds and animals.
Jes Gordon's whimsical bar-height table included a faux hedge divider topped with birds and animals.
Photo: Emily Gilbert for BizBash
Architect Arpad Baksa was one of the only designers to incorporate a message about AIDS in a dining space. Baksa's woven rope installation, which covered the room, symbolized how people are all connected. A black, white, and red palette added to the effect.
Architect Arpad Baksa was one of the only designers to incorporate a message about AIDS in a dining space. Baksa's woven rope installation, which covered the room, symbolized how people are all connected. A black, white, and red palette added to the effect.
Photo: Emily Gilbert for BizBash
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