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  1. Catering & Design
  2. Florals

See These Inventive Centerpieces from the New York Botanical Garden's Orchid Dinner

The fundraiser celebrated the annual Orchid Show with opulent tablescapes that showcased the elegant flower.

Michele Laufik
March 10, 2023

FlowerSchool NY & LA“This year, we chose to color block our orchids in sustainably manufactured Orrefors Bloom vases that sat on various plateaus in the centerpiece,” Calvert Crary of FlowerSchool explained. “We added a mirror for extra dimension to this very vertical, geometric installation.” The table was designed by Liz Brown of The Vibes Collective and Crary, whose second book, The Encyclopedia of Cut Flowers: What Flowers to Buy, When to Buy Them, and How to Keep Them Alive Longer, will be released in October.Photo: Calvert CraryNEW YORK—This year’s Orchid Dinner—sponsored by VERANDA, Hearst, and Guerlain—once again brought the NYC social scene out of its winter hibernation for an evening benefiting the New York Botanical Garden (NYBG) and celebrating guest designer Lily Kwong's Orchid Show. It took place at the Plaza Hotel on Feb. 23 and featured a record-breaking 45 tables by designers including Ingrid Carozzi of Tin Can Studios, Calvert Crary of FlowerSchool New York and Los Angeles, and Kelsea Olivia of East Olivia.

The event, which began with a sale of rare and special orchids, raised over $800,000 for the institution’s global programs in science, education, and plant conservation.

Sustainability Remains Top of Mind
Crary said that he noticed “a huge uptick in sustainable designs” at this year’s Orchid Dinner. “In fact, sustainability was the inspiration for many of the tables this year.”

But the floral industry is notorious for producing tons of waste, so updating old methods and introducing new techniques has become paramount. “I believe the greatest obstacle to achieving sustainability in the floral industry is the lack of knowledge and a tendency to stick to established habits,” Olivia said. “People and companies tend to keep doing things the same way even when there are better alternatives available. A prime example of this is the use of floral foam, which has a significant negative impact on the environment."

She added that “by taking small steps, such as switching from floral foam to chicken wire, reusing water tubes, and composting fresh materials, we can collectively make a significant difference for our planet.”

Crary explained that “the fact that flowers don't last forever makes large-scale installations a challenge, especially if they are meant to be enjoyed for multiple days.” He suggested mixing fresh blooms with dried, preserved, and faux flowers, and lots of foliage. “Not only do you save on cost, but you get more life out of your creations and have materials that you can work with again.”

Echoing Olivia’s sentiment, he added that “there are so many little changes florists can make by choosing different materials that will make a huge impact on our environment,” such as using AgraWool bricks or Oshun Pouches in place of floral foam, which is an “easy way to eliminate harmful microplastics from our oceans.”

Instead of using traditional floral foam for her Orchid Dinner design, Carozzi and her team used Oshun Pouches, AgraWool blocks, and chicken wire, as well as reindeer moss, plus fruits such as watermelon and grapes to hold some of the flowers in place. Beeswax-coated hemp twine—which she said is very strong, water resistant, and compostable—was used to tie elements together.

Florals Trends for Spring
With spring and summer events already popping up on the calendar, Crary, Olivia, and Carozzi also offered their predictions on what you can expect to see this season.

“I think that this spring and summer are going to be all about bold expressions of color in florals. I think designers are going to continue to push the envelope on combining interesting and vibrant color palettes. Clients and customers are so ready for it!” Olivia said.

'In terms of shape and style, the sculptural Ikebana style-inspired arrangements are popular and are my personal favorite to create right now both for corporate events and to intersperse with fuller arrangements at weddings,' Carozzi said."In terms of shape and style, the sculptural Ikebana style-inspired arrangements are popular and are my personal favorite to create right now both for corporate events and to intersperse with fuller arrangements at weddings," Carozzi said.Photo: Courtesy of Tin Can StudiosCrary predicts that there will be “a lot of branch designs. Nature has plenty of amazing colors, so we don't need to dye our flowers. I'm glad that ‘trend’ is fading. In general, florists want to celebrate the season and work with local flowers.”

“We are still getting a lot of requests for very colorful, fun arrangements using seasonal local ingredients,” Carozzi said. “Color is everything! In terms of shape and style, the sculptural Ikebana style-inspired arrangements are popular and are my personal favorite to create right now both for corporate events and to intersperse with fuller arrangements at weddings.”

Keep scrolling to see more from the NYBG Orchid Dinner...

East Olivia
East Olivia
“The inspiration behind my design was pure orchid curiosity. I’ve long loved the flower and have incorporated it in my work for years, yet have only seen/worked with so few of its seemingly innumerable varieties,” Kelsea Olivia of East Olivia said about her tablescape. This was the first year East Olivia participated in the event.
Photo: Courtesy of East Olivia
“My team and I sourced some incredibly rare and special varieties for our installation, and I could not have been more thrilled by the final outcome,” Olivia said. The tablescape was complemented by plates, glassware, and flatware provided by ABC Carpet and Home.
“My team and I sourced some incredibly rare and special varieties for our installation, and I could not have been more thrilled by the final outcome,” Olivia said. The tablescape was complemented by plates, glassware, and flatware provided by ABC Carpet and Home.
Photo: Courtesy of East Olivia
For those wanting to work with orchids, Olivia recommended “doing your research in terms of sourcing. Orchids can be easy to find at times—but not always. Additionally, the quantities of orchids available at the market (that are not potted) can be quite limited, so be sure to plan in advance when wanting to work with them.”
For those wanting to work with orchids, Olivia recommended “doing your research in terms of sourcing. Orchids can be easy to find at times—but not always. Additionally, the quantities of orchids available at the market (that are not potted) can be quite limited, so be sure to plan in advance when wanting to work with them.”
Photo: Courtesy of East Olivia
Tin Can Studios
Tin Can Studios
Ingrid Carozzi of Tin Can Studios created a modern interpretation of a Dutch Masters display with various fruits, vegetables, lichen moss, crown dill, and potted orchids, as well as beeswax candles, which she said give everyone a “wonderful glow.” The place settings included plates with a tiger-and-leaf motif designed by Sarah Gordon, vintage Murano glass-inspired glassware from Anthropologie, and linen napkins. Guests also received a copy of Carozzi’s latest book, Flowers by Design.
Photo: Courtesy of Tin Can Studios
Tin Can Studios also used alternative methods to hold the flowers in place, meaning no floral foam and no painted, bleached, or dyed flowers. After the event, the materials and flowers were repurposed into new arrangements and donated to a local charity, Hospice of New York, which supports patients facing a life-limiting illness.
Tin Can Studios also used alternative methods to hold the flowers in place, meaning no floral foam and no painted, bleached, or dyed flowers. After the event, the materials and flowers were repurposed into new arrangements and donated to a local charity, Hospice of New York, which supports patients facing a life-limiting illness.
Photo: Courtesy of Tin Can Studios
FlowerSchool NY & LA
FlowerSchool NY & LA
“This year, we chose to color block our orchids in sustainably manufactured Orrefors Bloom vases that sat on various plateaus in the centerpiece,” Calvert Crary of FlowerSchool explained. “We added a mirror for extra dimension to this very vertical, geometric installation.” The table was designed by Liz Brown of The Vibes Collective and Crary, whose second book, The Encyclopedia of Cut Flowers: What Flowers to Buy, When to Buy Them, and How to Keep Them Alive Longer, will be released in October.
Photo: Calvert Crary
“We wanted the overall design to be minimal, so each element had room to breathe and to be seen,” Crary said. “We chose to design the table elements in black and white so the colorful orchids could pop.” The florals were paired with the Black Awning Stripe linen by Nuage Designs, which Crary said was a “nod to classic Hollywood,” and Costa Nova’s black and white Lagoa Ecogres dishes, which are made from a sustainable proprietary recycled clay, plus the tableware brand’s Liso line of recycled glass stemware and matte black Saga flatware.
“We wanted the overall design to be minimal, so each element had room to breathe and to be seen,” Crary said. “We chose to design the table elements in black and white so the colorful orchids could pop.” The florals were paired with the Black Awning Stripe linen by Nuage Designs, which Crary said was a “nod to classic Hollywood,” and Costa Nova’s black and white Lagoa Ecogres dishes, which are made from a sustainable proprietary recycled clay, plus the tableware brand’s Liso line of recycled glass stemware and matte black Saga flatware.
Photo: Calvert Crary
Crary said that the only design requirements provided by NYBG were to use live orchids and to make sure that guests could see each other from across the table, adding that he doesn’t think any of the centerpieces adhered to the 20-pound weight limit.
Crary said that the only design requirements provided by NYBG were to use live orchids and to make sure that guests could see each other from across the table, adding that he doesn’t think any of the centerpieces adhered to the 20-pound weight limit.
Photo: Calvert Crary
Joseph Augello & Hilary Pereira
Joseph Augello & Hilary Pereira
Joseph Augello designed this table in collaboration with Hilary Pereira. It featured ivy, moss, shells, and orchid plants potted in ceramic heads, evoking The White Lotus vibes.
Photo: Courtesy of the New York Botanical Garden
TJ McGrath Design
TJ McGrath Design
This arrangement created by New Jersey-based TJ McGrath featured orchids in shades of yellow and pink mixed with poppies, ranunculus, and hellebore. A hand-dyed silk by Brooklyn-based textile artist Kesiena was used for the table.
Photo: Courtesy of the New York Botanical Garden
Zoe Feldman Design
Zoe Feldman Design
Georgetown-based interior designer Zoe Feldman created a nature-inspired tablescape with china from Aquazzura Casa’s Secret Garden collection and custom eyelet linens by Esencial Hogar that were layered over a blue tablecloth from Schumacher.
Photo: Courtesy of the New York Botanical Garden
Susie Novak Interiors
Susie Novak Interiors
This centerpiece created by the Oakland-based Susie Novak featured dripping amaranths with a silvery gray tablecloth from Schumacher and tableware from Blue Pheasant.
Photo: Courtesy of the New York Botanical Garden
'In terms of shape and style, the sculptural Ikebana style-inspired arrangements are popular and are my personal favorite to create right now both for corporate events and to intersperse with fuller arrangements at weddings,' Carozzi said.
"In terms of shape and style, the sculptural Ikebana style-inspired arrangements are popular and are my personal favorite to create right now both for corporate events and to intersperse with fuller arrangements at weddings," Carozzi said.
Photo: Courtesy of Tin Can Studios
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