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At a futuristic benefit in Toronto in 2011, a robot greeted guests on a holographic carpet at the entrance.

The museum plastered the walls with graffiti-style gobo projections, which contrasted with the pretty green country flower centerpieces (by Ron Wendt Design) that were mounted in rows on custom, silvery-looking wood racks.


Staff dressed in steampunk costumes carrying an oversize (but lightweight) gilded frame wandered the reception room, encouraging guests to pose for photos while framed inside. A stationary green-screen photo booth was set up in the foyer, along with steampunk accessories such as goggles, hats, and parasols.


For Dries Van Noten’s September 25 show, the designer continued to play off a theme of Byzantine gold. But while his June men’s show backdrop featured massive sheets of quivering gold Mylar, the more recent outing had gold foil applied to huge slatted wood screens. Held in a massive warehouse in the 13th arrondissement, Van Noten managed to make the raw space intimate while treating editors and retailers to a performance from Colin Greenwood of Radiohead. As the guitarist played, keeping time with each model, the 50-look show featured prominently against the zig-zagging divider wall that served as a backdrop placed directly opposite where guests were seated. After the finale, the models lined up against the gold wall and guests were invited to get an up-close-and-detailed look at the outfits.





