“With JT at the helm as creative director for the show, we worked very closely on translating his vision of the 20/20 albums, which he described as ‘visual music,’ into a very sensory live experience,” says New York-based stage and scenic designer Josh Zangen, who drew inspiration from modern art, futuristic environments, electronic dance music visuals, and even a fly’s eye for the stage design. The largest and most technically challenging element of the production, Zangen says, was the bridge: a 120-foot-wide piece of the stage that extends out over the audience, 250 feet above their heads, to the opposite side of the arena. Developed with Tait Towers, a stage set supplier based in Lititz, Pennsylvania, the bridge allows Timberlake to “connect with as much of the audience as possible in a completely new way”—without wires or flown elements. The 20/20 Experience World Tour wrapped up in January.