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  1. Catering & Design
  2. Event Design & Decor

Corcoran Ball Ditches Overarching Theme in Favor of Varied Looks

Courtney Thompson
April 20, 2010

For the 55th annual Corcoran Ball, Project Runway fashion guru and Corcoran alumnus Tim Gunn served as the honorary ball patron, inspiring a fashion-themed room as one of eight lavishly decorated dining spaces in the Corcoran Gallery of Art. But unlike the past two years, Friday’s ball had no overarching theme. Instead it showcased different looks in galleries throughout the museum, including bright spring colors in the atrium, and rotunda decor based on photographs from the current exhibition “Helios: Eadweard Muybridge in a Time of Change,” a retrospective of art from the 19th-century photographer.  

“The whole point is that each room looks different,” said Eric Michael of Occasions Caterers, who has been part of the event’s planning team for the past eight years, designing the look and the menu. Beginning in December, Michael works with the Corcoran’s women’s committee, headed this year by ball chair Molly Rolandi, and floral designer Jack Lucky to determine color choices and themes. Michael and the event planning team also work with Perfect Settings to choose linens that have never been used in Washington before. The cloths make their debut at the Corcoran Ball and then become part of Perfect Settings’ spring line. 

This year’s color schemes included cheery pinks, yellows, and oranges in the atrium, with colorful mobiles in mod shapes dangling from the ceiling, floral arrangements with tulips, and a mix of plaid tablecloths and shimmering overlays. Guests walked up the sweeping staircase—embellished with rose petals in orange, pink, and yellow—to the rotunda, where Muybridge photographs were projected on the walls, and modern accents, like Lucite chairs, matched the austere black-and-white images. Custom tableskirts were silk screened with Muybridge photographs and lit from beneath the table.

Upstairs in the Bridge overlooking the atrium, dress forms displaying evening gowns set the tone for a dining space inspired by Project Runway, with tables meant to look as though show contestants designed the tablescapes. Whimsical touches included feathers, sequins, even fish-net and high-heel shod feet peeking out from under one table. On the tabletops, colored pencils and notepads encouraged impromptu sketching by guests.

Due to a last-minute scheduling conflict, Gunn was unable to attend the ball, but another reality star, Andrew Zimmern from the Travel Channel’s Bizarre Foods With Andrew Zimmern, made an appearance, filming for an episode of his show.

The nearly 900 guests—down from last year’s 1,000 due to space constraints caused by current exhibitions—moved to their seating assignments at 8:30 p.m. for a meal of Maryland crab gratin en croute and a filet of beef with trumpet mushrooms, spring vegetables, fondant potatoes and Madeira sauce. By 10:30 p.m., servers had cleared the chocolate-orange parfaits and guests headed to the atrium for slow-dancing to standards by the Phil McCusker Orchestra or to the upstairs blue lounge for soul and disco from Bob Hardwick Sound.

But dancing was just part of the evening’s entertainment, according to Michael.

“It's the rooms, looking at different decor and galleries, that's the entertainment,” he said. "It's one of the last true events in Washington that people know they will go and see their friends."

The 55th annual Corcoran Ball
The 55th annual Corcoran Ball
Photo: Tony Brown/Imijination Photography for BizBash
An orange carpet covered the Corcoran's main staircase, while pink and orange lighting kept with the spring theme.
An orange carpet covered the Corcoran's main staircase, while pink and orange lighting kept with the spring theme.
Photo: Tony Brown/Imijination Photography for BizBash
Mobiles in mod shapes hung above the tables in the atrium, while columns were lit in pink and yellow.
Mobiles in mod shapes hung above the tables in the atrium, while columns were lit in pink and yellow.
Photo: Tony Brown/Imijination Photography for BizBash
Floral arrangements and tabletops in the atrium had a pink, orange, and yellow color scheme, with blooming tulips and poppies in vases and a mix of plaid silk and sheer overlay linens.
Floral arrangements and tabletops in the atrium had a pink, orange, and yellow color scheme, with blooming tulips and poppies in vases and a mix of plaid silk and sheer overlay linens.
Photo: Tony Brown/Imijination Photography for BizBash
Nineteenth century photographer Eadweard Muybridge's studies of animal and human locomotion were projected on the walls of the rotunda, and silk screened on table skirts, which were lit from within.
Nineteenth century photographer Eadweard Muybridge's studies of animal and human locomotion were projected on the walls of the rotunda, and silk screened on table skirts, which were lit from within.
Photo: Tony Brown/Imijination Photography for BizBash
Traditional patterns were showcased in the Little Mantel Room, where cane-back chairs were fitted in cornflower blue chair skirts. Jack Lucky's white floral arrangements comprised cherry branches, Dusty Millers, white French tulips, cream lisianthus, and white garden roses.
Traditional patterns were showcased in the Little Mantel Room, where cane-back chairs were fitted in cornflower blue chair skirts. Jack Lucky's white floral arrangements comprised cherry branches, Dusty Millers, white French tulips, cream lisianthus, and white garden roses.
Photo: Tony Brown/Imijination Photography for BizBash
In the Salon Doré, gold Chiavari chairs with purple silk cushion covers and beaded lilac votives complemented the room's gilded floor to ceiling paneling. Low floral arrangements included purple garden roses, purple sweet peas, Mokara orchids, and spray roses.
In the Salon Doré, gold Chiavari chairs with purple silk cushion covers and beaded lilac votives complemented the room's gilded floor to ceiling paneling. Low floral arrangements included purple garden roses, purple sweet peas, Mokara orchids, and spray roses.
Photo: Tony Brown/Imijination Photography for BizBash
In the Mantel Room, layered Vanelie Amber with Brushed Fringe and Topaz Spice linens from Perfect Settings contrasted with Jack Lucky's green bouquets of green parrot tulips, green calla lilies, viburnum, green roses, green hydrangeas, and bells of Ireland.
In the Mantel Room, layered Vanelie Amber with Brushed Fringe and Topaz Spice linens from Perfect Settings contrasted with Jack Lucky's green bouquets of green parrot tulips, green calla lilies, viburnum, green roses, green hydrangeas, and bells of Ireland.
Photo: Tony Brown/Imijination Photography for BizBash
Upstairs in the Bridge, each table had a monochromatic look.
Upstairs in the Bridge, each table had a monochromatic look.
Photo: Tony Brown/Imijination Photography for BizBash
Evening gowns were displayed on dress forms in the Bridge to fit the room's fashion theme. Each table was unique, as if designed by contestants for a Project Runway challenge.
Evening gowns were displayed on dress forms in the Bridge to fit the room's fashion theme. Each table was unique, as if designed by contestants for a Project Runway challenge.
Photo: Tony Brown/Imijination Photography for BizBash
Occasions Caterers served a chocolate and orange parfait for dessert.
Occasions Caterers served a chocolate and orange parfait for dessert.
Photo: Tony Brown/Imijination Photography for BizBash
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