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  1. Catering & Design
  2. Event Design & Decor

How Valentino Illustrated the Five Senses at an Event

The fashion house chose the former home of the Whitney Museum of American Art as the site for its sensory-driven Fornasetti exhibition.

Jim Shi
December 23, 2014

To celebrate the brand’s new David Chipperfield-designed Fifth Avenue flagship, Valentino designers Maria Grazia Chiuri and Pierpaolo Piccioli looked to honor the work of another great architect—Marcel Breuer—by hosting a one-off couture fashion show and Fornasetti art exhibit in the late design icon’s Upper East Side space that was, until recently, the home of the Whitney Museum of American Art.

With a light snow blanketing Manhattan the night of December 10, guests, including Katie Holmes, Valentino Garavani, Olivia Munn, Emma Roberts, and Sofia Coppola, all gathered for the, appropriately enough, all-white fashion show entitled Sala Bianca 945—a combined reference to the fashion house founder’s namesake 1960s show in Rome and the museum’s Madison Avenue address.

Prior to the show, however, attendees were treated to a specially curated showcase of Piero Fornasetti’s work and his namesake retail brand’s products during an extended cocktail hour. The late Italian artist’s famed Surrealist pieces were chosen to highlight “The Five Senses,” a one-night-only exhibit that ranged from a grand piano in a blacked-out room with butterfly holograms to dozens of Fornasetti plates—each one depicting a different variation of a woman’s face—wallpapering an entire wall.

According to the fashion house, “With New York as the universe, we can see the Breuer building transform itself into a temporary time capsule, a spaceship where Valentino’s and Fornasetti’s journey take place.”

Gina Rogak, the Whitney Museum’s director of special events, said the Brutalist-style venue is available for rental for a limited time before renovation work commences in preparation for next year’s Metropolitan Museum of Art takeover. In addition to Valentino’s use of the space, Ziff Brothers Investments also hosted its holiday party there.

The fashion house chose the Breuer-designed building for not only its large gallery spaces of differing scales and proportions that, coincidentally, were vacated following a Jeff Koons retrospective, but also as the ultimate “container” and “packaging” to showcase the Fornasetti exhibit.

The taste room featured more than 90 Fornasetti plates showcasing a selection of the artist's 350 interpretations of a woman's face—easily the night's most Instagrammed set-up. Two oversize murals were applied to the former museum's walls while a table featured a pile of candy for emphasis.
The taste room featured more than 90 Fornasetti plates showcasing a selection of the artist's 350 interpretations of a woman's face—easily the night's most Instagrammed set-up. Two oversize murals were applied to the former museum's walls while a table featured a pile of candy for emphasis.
Photo: Dean Kaufman
In collaboration with Fornasetti, Valentino devised a five-room installation entitled 'The Five Senses' that realized the senses of touch, sight, smell, taste, and sound. Representing sound was a grand piano placed in a blacked-out gallery space, with an animated projection of butterflies—a house code—on display.
In collaboration with Fornasetti, Valentino devised a five-room installation entitled "The Five Senses" that realized the senses of touch, sight, smell, taste, and sound. Representing sound was a grand piano placed in a blacked-out gallery space, with an animated projection of butterflies—a house code—on display.
Photo: Dean Kaufman
The touch room featured a sectioned-off gallery space bedecked with dozens of hanging Fornasetti arms that guests could weave their way through. Flanked on either side were enlarged Fornasetti face abstracts.
The touch room featured a sectioned-off gallery space bedecked with dozens of hanging Fornasetti arms that guests could weave their way through. Flanked on either side were enlarged Fornasetti face abstracts.
Photo: Dean Kaufman
Sight was illustrated, quite literally, by a massive Fornasetti artwork that mimicked wallpaper plastered against one entire gallery wall.
Sight was illustrated, quite literally, by a massive Fornasetti artwork that mimicked wallpaper plastered against one entire gallery wall.
Photo: Dean Kaufman
Iconic Fornasetti drawings showcasing smell were applied to the walls of another gallery in the concrete building. From inside a large keyhole cabinet—another classic Fornasetti object—Valentino's Assoluto fragrance wafted out.
Iconic Fornasetti drawings showcasing smell were applied to the walls of another gallery in the concrete building. From inside a large keyhole cabinet—another classic Fornasetti object—Valentino's Assoluto fragrance wafted out.
Photo: Dean Kaufman
Valentino chose the Whitney Museum of American Art's former Madison Avenue space in which to unveil a special six-piece collection of objects exclusive to the Fifth Avenue flagship, including sunglasses with eyewear case box, scarf, stool, tray, and plate. A row of eight iPads along a back wall offered detailed descriptions of each product, along with additional imagery.
Valentino chose the Whitney Museum of American Art's former Madison Avenue space in which to unveil a special six-piece collection of objects exclusive to the Fifth Avenue flagship, including sunglasses with eyewear case box, scarf, stool, tray, and plate. A row of eight iPads along a back wall offered detailed descriptions of each product, along with additional imagery.
Photo: Dean Kaufman
The evening's main attraction was a 'Sala Bianca' fashion show of all-white haute couture looks designed exclusively for and in homage to New York and the new Fifth Avenue flagship. The show took place in the Emily Fisher Landau Gallery, juxtaposed against the iconic suspended concrete grid ceiling designed by Marcel Breuer.
The evening's main attraction was a "Sala Bianca" fashion show of all-white haute couture looks designed exclusively for and in homage to New York and the new Fifth Avenue flagship. The show took place in the Emily Fisher Landau Gallery, juxtaposed against the iconic suspended concrete grid ceiling designed by Marcel Breuer.
Photo: Courtesy of Valentino
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