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A 20-foot-wide shimmering gold metal chandelier included 15,000 hand-tied hanging gold metal disc strands.

Hewlett-Packard marked the launch of its new portfolio of Windows 8 touch technology products with an event in October that had attendees controlling patterned projections. Stations set up around the perimeter of New York's Terminal 5 let guests play with touch-screen computers while simultaneously changing the look and color of the lighting that illuminated panels overhead.

UrbanDaddy's "white room" event—an affair created in partnership with Stoli to promote the vodka brand's new campaign and flavors—invited guests to create the night's decor using paint and brushes. The November party in New York also supplied its attendees with lab coats and goggles to protect clothes from their creative tasks.

Lifestyle images layered with infrared technology at Target's after-party for the MTV Movie Awards in 2008 allowed guests to interact with the images using the heat and movement of their bodies.

To encourage attendees to make on-site donations at its December Charity:Ball in New York, nonprofit Charity:Water sold yellow helium-filled balloons for $5 each. Guests could release their brightly colored inflatables into a 28-foot-tall, 20-foot-wide net rigged to the ceiling of the 69th Regiment Armory. As the inflatable orbs filled the structure, it started to resemble a giant yellow Jerry can, Charity:Water's signature symbol.

At the Design Industry Foundation Fighting AIDS' Dining by Design event in Chicago in November, the table for CS Interiors designed by Casa Spazio with Atelier Turner was reminiscent of an artist's studio. The vignette inside the Merchandise Mart had paper walls, ample brushes, and open jars of paint, and guests were encouraged to add to the background mural.

David Stark's design for Cooper-Hewitt's 2011 National Design Awards was dominated by the use of fluorescent tape supplied by 3M. In addition to an installation that displayed a scale version of the art institution's Upper East Side home, the cocktail hour had a wall where gala guests could draw or write about what design means to them using brightly colored adhesive strips.

Combining a live performance by Coldplay with digital components, the American Express Unstaged concert in October 2011 saw the stage decorated with a backdrop of butterflies. The video installation that was projected on LCD screens for the Madrid show was a collage of designs the audience members were invited to create online.

In 2009, Louis Vuitton debuted its new in-store boutique at Saks Fifth Avenue by building an indoor garden at the New York store. The centerpiece of the event's design was a wishing tree, where guests were invited to pen their answers to the question "Where will your journey take you?" and hang the messages on strands of ribbon dangling from its branches.

During the September 2010 run of New York Fashion Week, Chanel reopened its SoHo store with a big bash. To leave most of the retail space free of additional decor elements—and allow the 500 guests to move around—the producers erected two black tents outside and turned the inside walls into an interactive graffiti room. In this area, guests could use custom paint cans to digitally tag oversize LED screens.

To highlight the event's focus on children and fund-raising for a charter school, the 2006 Robin Hood Foundation gala had giant chalkboards in the reception area set up in New York's Jacob K. Javits Convention Center. David Stark sketched local landmarks and iconic scenes on the walls, and, during the event, guests could add their own designs with chalk provided in bowls on the cocktail tables.

For the sports magazine's Friday-night party, Tony Schubert of Event Eleven created a geometric step-and-repeat that played with angles and had no rectangles. The concept carried through to the inside of the 50,000-square-foot tent at Tad Gormley Stadium, where none of the constructed walls were the same height or dimension, and all featured different angles.

The decor included 65 custom sofas and more than 100 coffee tables in ESPN's signature colors of red and black. Paying homage to the host city were 25 five-foot lanterns and 50 gas lamps.

At the Next event's Coke Zero activation, guests could sample products and snap pics at the Coke Zero "Social Foto" booth. The images appeared on a flat screen at the bar.

A fleet of six Mini convertibles carried Playboy bunnies through the streets in a kickoff parade to Friday's party at Jax Brewery Bistro. Each bunny was joined by a brass band member as the procession wound through the French Quarter.

Produced by Caravents and Playboy senior marketing director Amanda Civitello, the party had a Mardi Gras theme and decor elements meant to invoke an authentic New Orleans feel. Guests were invited to try on colorful masks. In other areas, playmates and celebrity guests stuffed 250 Crown Royal bags with snacks that were then sent to U.S. military members.

Sponsor Tabasco invited local chef John Besh to create a menu for the evening. The dishes, which included "Buffaleaux" sliders and fried chipotle shrimp tacos, were all seasoned with the hot sauce.

The four rings of Audi's logo stood at the entrance to Audi's after-hours event at the Ogden Museum of Southern Art. The event, which took place Friday and Saturday nights, was produced by PMK-BNC and Relevent Partners.

At the Rolling Stone Live party, producer Toast created a "trashed hotel room" where guests could take photos and pretend to live the rock star life. The Friday-night event took place at the Bud Light Hotel, a Wyndham property rebranded for Super Bowl weekend.

Fusion Marketing created the Bud Light Hotel, which was appropriately decked out with branded imagery. Dancers performed in windows that looked out onto a lounge fashioned for the activation, and a custom pedestrian bridge built over the street connected the hotel to a tent.

A 12-foot AstroTurf wall marked the entryway to the hotel brand's event at the Contemporary Art Center of New Orleans. Created by Stefan Beese of Re:Be Design, the concept carried into the rest of the space where the faux grass was used on a bar, on the stage, as well as underfoot in the seating areas. A grass timeline commemorated 30 years of Courtyard history.

More than seven tons of sand were brought in for the game of touch football on Saturday afternoon. The tent featured bleacher seating for the general public, but had a lounge area for V.I.P.s with seating and catering. A Pitbull concert followed the event. Murphy Productions produced the event with CL22 Productions providing design and decor.

At a tailgate before the Celebrity Beach Bowl, Chad Hudson Events created a fan-friendly experience at Mardi Gras World. The free sports-themed event had games, an ESPN social media lounge, a performance by country singer Chris Young, and New Orleans street performers, a jazz band, and marching bands from local schools. The event debuted in a smaller form at last year's Super Bowl in Indianapolis, but after 5,000 people showed up, Hudson said DirecTV expanded it for this year.

Producers had just four hours to convert the Celebrity Beach Bowl into a concert and lounge venue for DirecTV's Super Saturday Night. The tent rigging was built to allow the ceiling to hold as much as 100,000 pounds of equipment and decor. Two massive chandeliers balanced out the JumboTron, which concealed 15 smaller chandeliers during the touch football game.

Justin Timberlake headlined DirecTV's Super Saturday Night. The stage treatment included a red Austrian drape that rose to reveal his band, the Tennessee Kids, and a silver Austrian drape as a backdrop.

The decor from CL22 Productions included black sequined tablecloths, mirrored surfaces, and furniture with scrolled legs. The room was designed to feel like a nightclub despite taking place in an 88,000-square-foot tent.

The event had a theme of "Eyes Wide Shut," which CL22 Productions created with S&M touches such as costumed characters wearing feathers, latex, leather, and chains.

At the charity event, more than 275,000 lights created the ambience at a Mediterranean-style mansion on St. Charles Avenue. The four-week installation wrapped the wrought-iron fence that surrounds the property as well as three oak trees. Nocci produced the event.

Questlove spun from a Jeep-faced DJ booth at Sunday's Rolling Stone-sponsored Jeep Heroes Tailgate event.

The N.F.L. Owners Party took place at City Park amid a canopy of 60 live oak trees and 100 decorative trees brought in for the event by New York-based Van Wyck & Van Wyck. The evening began with cocktails in three open-air tents and was followed by dinner from chef Susan Spicer and a brass band-led parade to the after-party in a glass conservatory.

A fleur-de-lis pattern—in honor of the host New Orleans Saints—decorated walkways at the N.F.L. Owners Party. Following the event, guests were sent home with another signature New Orleans item: beignets.

Flags announced the sponsors at the GQ XLVII party Saturday at the Elms Mansion. In a clear tent adjacent to the Garden District home, Lil Wayne performed. Guests could take photos with New Orleans jazz band props, and guests could take home Lacoste T-shirts silk-screened on site with the party logo.

The V.I.P. area at the GQ XLVII party Saturday featured metallic silver Chesterfield sofas and beverages from Beck's Sapphire and Patrón Tequila. A-Squared Group produced the event.

Under Armour, a sponsor of the N.F.L. Scouting Combine for prospective players, invited fans to test themselves in the same drills. Fans who ran the 40-yard "Run to Daylight" dash were timed, with the fastest daily time displayed and awarded with prizes such as gift cards, according to Shana Gritsavage, the apparel company's director of global events. Participants wore R.F.I.D. bracelets to sign up for the activities, which allowed them to share their times on social media networks as well as enter a drawing for two tickets to the Super Bowl.

The 13,000-square-foot Under Armour activation, produced by Revolution, was the apparel company's largest fan experience of the year. Consumers could participate in a vertical jump, broad jump, and 40-yard dash and compare their stats to professional athletes.

Fans at the ticketed event at the Ernest N. Morial Convention Center could pose with the Lombardi Trophy, awarded to the Super Bowl champion.

The Patrón Tequila Express, a 1927 Vintage Railcar, hosted multiple events for the brand over Super Bowl weekend. In one, 25 members of the Patrón Social Club were selected to participate in a scavenger hunt Thursday that ultimately led them to a party on the train. The attendees had to navigate clues that included putting on special sunglasses that would allow them to see images in TV screens that otherwise appeared to be flickering white screens.

The retailer hosted a pop-up shop at the Hyatt French Quarter where invited celebrities and athletes could choose from several button-down shirts and have them embroidered on the spot. The display also included matching ties and other accessories, as well as a lounge area that expanded into a space for happy hour on Thursday.

The 10th edition of the party saw performers from Cirque USA—including a drummer—suspended over the crowd. The event took place Saturday at Second Line Stages.

Saturday's party at Second Line Studios had a "Greek Goddess" theme, with Grecian decor such as white columns and event staff wearing togas and laurels. The space also featured a branded Xbox lounge where guests could play Gears of War: Judgment and a Fox Sports Digital lounge. The event was produced by Noah Flom of Ark Endeavors.

Branden Chapman, Rex Supa, Clay Upton, and Casey Immoor headed up the Recording Academy's official bash, and Along Came Mary Productions, helmed by longtime collaborator Mary Micucci, once again produced the affair. Inspired by Bollywood, the post-ceremony event took over a space the size of three football fields with entertainers, dancers, acrobats, projections, elevated lounges, and design evocative of the the world of Indian films. A massive covered decor piece in the center of the space served as a raised stage for dancers; it included a working fountain filled with flowers and was surrounded by bench seating.

Jewel tones added bright pops of color to the enormous space, with linens, lanterns, and other decor pieces all decked out in bold orange, purple, pink, and red hues.