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  1. Production & Strategy
  2. Event Production & Fabrication

Architectural Video Mapping Adds Dynamic Visuals to C.F.D.A. Awards

Jim Shi
June 8, 2011

Seeking to reflect and respect the organization’s next wave of design talent, technological innovations—including the incorporation of architectural video mapping—and a vibrant color scheme marked this year's Council of Fashion Designers of America Fashion Awards on Monday. In the process, the $10,000-a-seat black-tie affair, hosted by CNN’s Anderson Cooper (a change from last year’s no-host format) and attended by 700 guests, raised $1.3 million for the C.F.D.A.’s various programs.

For the event (held once again at Alice Tully Hall), KCD’s team, led by president and partner Julie Mannion and vice president of production Jihye Song, worked alongside C.F.D.A. executive director Steven Kolb and event director Karen Peterson to coordinate the efforts of 10-year sponsor and decor partner Swarovski, graphic design components from Laird & Partners, and a set created by scenic designer Scott Pask.

Although the concept of video mapping has become a much-buzzed-about technique in events—Ralph Lauren and YouTube used the technology at gatherings last year—the novelty also meant the potential for challenges to arise. And while the award ceremony flowed smoothly and had a sharp uptick in energy level this year, there were some minor tech glitches, most noticeably when the audio and video weren't in sync.

The digital visuals for the show, conceived by curator and writer Neville Wakefield and directed by Hunter Lee Soik of the Wardenclyffe Institute, offered a new twist on a format that typically doesn’t change year to year. According to show producers, who were keen to “test it out and see,” the idea was to create something unexpected. The organizers mapped all the video projections to a three-dimensional backdrop, a structure that stood 41 feet wide, 24 feet deep, and 22 feet tall at its highest point.

Pask, who started preparations in March, took a more linear and modular approach to the set, while working with the limited grid space of the auditorium. The idea was, as he described it, to craft a "dynamic piece to serve as a palette to be painted upon." The result was five lightweight aluminum-framed pieces, each wrapped in white muslin. "This year I wanted to redefine what we’ve been doing, but still maintain the self-sustaining idea of this object in the space,” he said of the large units, each individually placed to form sharp corners and erected overnight on the Friday before the awards.

Additionally, the set, which replaced last year's composition of curves with a constructivist assemblage of planes, was designed specifically to enhance the projections. “As the space was constantly changing, the challenge was how to creatively explore what a video projection surface can be while creating the perception of depth,” Pask noted. “It was a definite creative challenge.” In fact, the only time the forms physically moved was during the Marc Jacobs presentation, when the center panel slid stage right to reveal models on a castered platform. “The planes were made to look very deep when in fact they are very shallow,” he said. “It’s a false perspective in a theatrical way.”

The effect was stunning, with award categories like Womenswear Designer of the Year highlighted by moving images with a 3-D effect. However, while the video mapping created more movement for the onstage content, it remains to be seen if the team will revisit the technology for next year's event.

Also of note was the new approach to the affair's colors, shapes, and forms. In a sense, show producers started from scratch to incorporate an all-new color and sensory experience, reflected in everything from the chartreuse invitations and purple arrivals carpet to the bright green lounge sofas placed in the lobby and the neon pinks and purples woven into the graphic treatment of the step-and-repeat.

Following the awards, guests made their way to two after-parties. Geoffrey Beene Lifetime Achievement award winner Marc Jacobs hosted a dinner at the Monkey Bar, which was followed by V magazine's bash at the Top of the Standard, which featured a performance by Fashion Icon award winner Lady Gaga.

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Photo: Larry Busacca/Getty Images
Outfitted by Rag & Bone, New York-based string quintet Sybarite5 performed medleys of Radiohead and Led Zeppelin tunes from Alice Tully Hall's outdoor pavilion during the arrivals portion of the night.
Outfitted by Rag & Bone, New York-based string quintet Sybarite5 performed medleys of Radiohead and Led Zeppelin tunes from Alice Tully Hall's outdoor pavilion during the arrivals portion of the night.
Photo: Joe Schildhorn/BFAnyc.com
Although previous iterations of the C.F.D.A. Awards have featured colorful palettes, the hues this year skewed away from classic to vibrant in a nod toward being fresh and modern, and were reflected in everything from the chartreuse invitation to the purple arrivals carpet.
Although previous iterations of the C.F.D.A. Awards have featured colorful palettes, the hues this year skewed away from classic to vibrant in a nod toward being fresh and modern, and were reflected in everything from the chartreuse invitation to the purple arrivals carpet.
Photo: Joe Schildhorn/BFAnyc.com
CNN's Anderson Cooper was the host for this year's ceremony, but left early to report on the scandal surrounding Congressman Anthony Weiner. Diane von Furstenberg stepped in to close the presentation.
CNN's Anderson Cooper was the host for this year's ceremony, but left early to report on the scandal surrounding Congressman Anthony Weiner. Diane von Furstenberg stepped in to close the presentation.
Photo: Clint Spaulding/PatrickMcMullan.com
Guests like model Miranda Kerr, clad in Michael Kors, posed for photographers next to glitter-box lanterns festooned with crystals from event underwriter Swarovski.
Guests like model Miranda Kerr, clad in Michael Kors, posed for photographers next to glitter-box lanterns festooned with crystals from event underwriter Swarovski.
Photo: Clint Spaulding/PatrickMcMullan.com
A Wi-Fi connection inside the Starr Theater allowed the audience of 700 guests to tweet during the 80-minute ceremony. A light supper on the premises followed.
A Wi-Fi connection inside the Starr Theater allowed the audience of 700 guests to tweet during the 80-minute ceremony. A light supper on the premises followed.
Photo: Joe Schildhorn/BFAnyc.com
In contrast to last year's curved, Richard Serra-style structure, set designer Scott Pask chose a more linear look for the stage. The design, which was 41 feet wide, 24 feet deep, and 22 feet tall, was inspired by the sharp angular work of Dutch architect and furniture designer Gerrit Rietveld and artist Kasimir Malevich.
In contrast to last year's curved, Richard Serra-style structure, set designer Scott Pask chose a more linear look for the stage. The design, which was 41 feet wide, 24 feet deep, and 22 feet tall, was inspired by the sharp angular work of Dutch architect and furniture designer Gerrit Rietveld and artist Kasimir Malevich.
Photo: Joe Schildhorn/BFAnyc.com
The council's executive director, Steven Kolb, worked closely with the team at KCD to produce this year's awards. The backdrop replicating building shapes was the default scene used between the presentation of awards.
The council's executive director, Steven Kolb, worked closely with the team at KCD to produce this year's awards. The backdrop replicating building shapes was the default scene used between the presentation of awards.
Photo: Joe Schildhorn/BFAnyc.com
Kanye West, who presented Céline creative director Phoebe Philo with the International Award, joined a star-studded crowd of hosts that included Jessica Alba, Naomi Watts, Gerard Butler, and Sofia Coppola.
Kanye West, who presented Céline creative director Phoebe Philo with the International Award, joined a star-studded crowd of hosts that included Jessica Alba, Naomi Watts, Gerard Butler, and Sofia Coppola.
Photo: Joe Schildhorn/BFAnyc.com
This year's awards saw the introduction of video mapping, a projection-centric component used to introduce each of the category nominees and confirmed award recipients.
This year's awards saw the introduction of video mapping, a projection-centric component used to introduce each of the category nominees and confirmed award recipients.
Photo: Larry Busacca/Getty Images
The dynamic videos mapped to the linear stage structures supplied a graphic look and a noticeable uptick in movement during the ceremony.
The dynamic videos mapped to the linear stage structures supplied a graphic look and a noticeable uptick in movement during the ceremony.
Photo: Larry Busacca/Getty Images
To achieve a smooth transition as the awards progressed, each video was filmed separately and then combined during the event with others to create an overall picture.
To achieve a smooth transition as the awards progressed, each video was filmed separately and then combined during the event with others to create an overall picture.
Photo: Larry Busacca/Getty Images
Lady Gaga, who removed the gown portion of her Mugler-designed outfit to reveal studded black undergarments, received the Fashion Icon Award. As with years past, the lectern onstage was embellished with Swarovski crystals.
Lady Gaga, who removed the gown portion of her Mugler-designed outfit to reveal studded black undergarments, received the Fashion Icon Award. As with years past, the lectern onstage was embellished with Swarovski crystals.
Photo: Joe Schildhorn/BFAnyc.com
While the bulk of the award presentation used video mapping, the segment for Marc Jacobs's Lifetime Achievement Award was decidedly unique. Working with the fashion designer, Scott Pask engineered a three-piece, 22-foot-tall castered platform on a massive wagon wrapped in bleached white muslin. The center stage panel slid stage right to reveal 30 models clad in Jacobs's fall 2011 looks, all of whom then marched forward and onto the stage in a fashion-show-like procession.
While the bulk of the award presentation used video mapping, the segment for Marc Jacobs's Lifetime Achievement Award was decidedly unique. Working with the fashion designer, Scott Pask engineered a three-piece, 22-foot-tall castered platform on a massive wagon wrapped in bleached white muslin. The center stage panel slid stage right to reveal 30 models clad in Jacobs's fall 2011 looks, all of whom then marched forward and onto the stage in a fashion-show-like procession.
Photo: David X Prutting/BFAnyc.com
Nadja Swarovski (pictured, center), whose crystal company marked 10 years of C.F.D.A. Awards sponsorship this year, was surprised by council president Diane von Furstenberg with a tribute from past Swarovski Award winners. She also received a one-of-a-kind Swarovski crystal-embellished Trova Award, handcrafted by Philip Crangi.
Nadja Swarovski (pictured, center), whose crystal company marked 10 years of C.F.D.A. Awards sponsorship this year, was surprised by council president Diane von Furstenberg with a tribute from past Swarovski Award winners. She also received a one-of-a-kind Swarovski crystal-embellished Trova Award, handcrafted by Philip Crangi.
Photo: Joe Schildhorn/BFAnyc.com
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