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  1. Production & Strategy
  2. Programming & Entertainment

Cooper-Hewitt Weaves Program Graphic Into National Design Awards Decor

Anna Sekula
October 20, 2010

When relocating its National Design Awards gala from its Upper East Side home to Cipriani 42nd Street last year, the Cooper-Hewitt National Design Museum was, for the first time, able to synthesize the design of all the event's printed materials, a look inspired by producer David Stark's decor scheme for the evening. This year, the process was flipped, with the graphics for the programs and such created first, and Stark using that as the basis for the adornments added to the former banking hall on Thursday night.

The image created by Tsang Seymour Design involved a crisscross pattern of lines accompanied by bright orange lettering. From this, Stark and his team conceived a straightforward but vivid installation using thousands of yards of ribbon. Strung from the centerpieces of each table and threaded up to the ceiling, the orange and white fabric strips formed a striking visual that didn't detract from the evening's award presentation and honorees. In line with the Cooper-Hewitt's mission to support the arts, the rolls of ribbon were donated to Materials for the Arts after the gala.

Although the event's design was relatively simple in look, the installation was more complicated. Not only are Cipriani 42nd Street's ceilings 65 feet high, but as the gala is broadcast live on the Web, the ribbons couldn't be allowed to block cameras or their movements. Also taken into consideration was concern that the fabric could obstruct the view of the award presentation for seated guests. So each ribbon was strategically placed, rather than clustered for dramatic effect, and producers replaced the upper sections of strips with thin string for the tables in front of the stage.

Paula Zahn returned as M.C. for the 600-person affair, which honored Design Research's Jane Thompson with the lifetime achievement award, celebrated Rodarte designers Kate and Laura Mulleavy's work in fashion, and selected Philadelphia-based firm KieranTimberlake as a top contributor to the field of architecture design. As with last year, the gala's after-party was held in the venue's chapel area, drawing 350 additional guests. In total, the gala raised $1  million for the museum.

E19339standalone
Photo: Richard Patterson
As with last year, a central, freestanding structure stood at the entrance and incorporated the design elements used in the dining space.
As with last year, a central, freestanding structure stood at the entrance and incorporated the design elements used in the dining space.
Photo: Richard Patterson
The ribbon installation, inspired by the look of the collateral materials, was strategically placed so as not to block lighting and video gear.
The ribbon installation, inspired by the look of the collateral materials, was strategically placed so as not to block lighting and video gear.
Photo: Richard Patterson
The fabric strips also became part of the tabletop design, with centerpieces serving as the point from which each roll of ribbon started.
The fabric strips also became part of the tabletop design, with centerpieces serving as the point from which each roll of ribbon started.
Photo: Richard Patterson
Instead of a step-and-repeat, organizers used a large photograph of the museum's entrance as the backdrop for red-carpet photos.
Instead of a step-and-repeat, organizers used a large photograph of the museum's entrance as the backdrop for red-carpet photos.
Photo: Richard Patterson
The award gala honored 10 different companies and individuals, including Jane Thompson (pictured, fourth from left), who is credited with bringing Marimekko to the U.S. through the company Design Research.
The award gala honored 10 different companies and individuals, including Jane Thompson (pictured, fourth from left), who is credited with bringing Marimekko to the U.S. through the company Design Research.
Photo: Richard Patterson
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