

Taking the prize as the city's hottest-ticket events to ring in 2011 was a multiday program to open the Cosmopolitan of Las Vegas, topped off with a mashup Jay-Z and Coldplay concert. Working with the venue's director of entertainment and special events, Rehan Choudry, Colin Cowie oversaw the massive-scale, detail-driven production.























































By Andrew Stevens and Kim Swift, We Came in Peace
“The concept is a dark twist on the classic holiday fête, using elements of mystery, drama, and Old Hollywood glamour. A speakeasy meets an underground masquerade in a cinematic pleasure palace, and the mood is set with a minimal palette of black and white. Finding a perfect venue is key; architectural details and grand spaces with an oversize fireplace are ideal. Then pools of smoky light are interspersed with gobos casting slatted-blind texture on the walls and floors. A lush tableau of exotic hors d’oeuvres spans the space, illuminated by tiers of candelabras. Reinterpretations of classic seasonal themes are woven into the space, such as a forest of suspended Christmas tree chandeliers, composed of blackened branches and adorned with ornaments. Entertainment is a smorgasbord of vices, including gambling, hand-rolled cigars, on-site tattooing, and private shows by shadow dancers. The soundtrack for the evening is provided by a live jazz band that performs holiday classics.”





















“This distinctly visceral experience for holiday revelers challenges their ideas of a classic holiday party. The theme is nautical and fantastical and elegant without losing the warmth and nostalgia of the season. It surprises the guest’s palate and eye—traditional elements are alluded to, but made both contemporary and graceful. Suspended from the ceiling, an oversize octopus mobile with gold sequins will wrap her tentacles around the room to serve as a visual anchor for the space. Subtle hints of red and green are woven throughout this whimsical underwater world to retain the whisper of the season. People leave our aquatic Eden swimming with ideas about how they can update their own holiday traditions.”










“The concept starts with a customized invite to the lounge. Upon entry, snow machines will have people making snowmen as an interactive activity. Inside, white fur-lined linens and fur-capped Chiavari chairs are set against antler candlesticks, votive holders, and fireplaces. Oversize silver frames with wood paneling, alternating with white sheer drapes and a variety of contemporary furniture, provide the groundwork for winter-inspired accessories like large lacquer deer and fur-and-antler-inspired pillows. The menu is cozy and festive, with items such as mixed berry and gingerbread trifles, roasted chestnut truffles, and specialty cocktails.”








To-do list: Provencial manages all of Groupon’s experiential marketing and events in North America. Her projects have included a 1,500-guest hangover brunch at South by Southwest in Austin in 2011 and hometown holiday parties for more than 3,000 employees.
Claim to fame: Provencial stages massive, quirky, press-friendly events, including an 8,500-guest screening of Ferris Bueller’s Day Off on Wrigley Field in October 2011 for the film's 25th anniversary. “People were allowed to come and sit on the uncovered field and watch the movie on three jumbo screens facing the outfield.”
Up next: An urban adventure that sets the fun of summer camp against a big-city backdrop. “With Camp Groupon, we hope to take the standard event expectations—a two- to three-hour experience in a single space—and transform it into something that can last for days, is full of surprise and delight, and is affordable to people of all ages.”

