
In the new networking area at Sapphire Now in June in Orlando, guests could choose from seating options such as wooden pallets, leather cubes, and cadrboard cubes, which were strong enough to sit on but light and easy to move.

At Social Media Week London in September, shipping crates became “Skypepods.” Each unit was equipped with Microsoft products and enabled with Skype so attendees could get work done or chat with colleagues online.

Pallet chairs from Dublin company This Is What We Do were one of the seating options in the Media Village at Web Summit in November 2014.

On Web Summit’s Pitch stages—site of the event’s start-up competitions—organizers used upcycled chairs made from chipboard.


For the massive gala's 2014 iteration, planners chose a "Bridge to Possibility" theme. Held at the cavernous Jacob K. Javits Convention Center, the event featured screens printed with the New York City skyline and bridges. The screens enclosed the entry hallway that led to the reception space. David Stark Design designed the event.

Studio 54 inspired the look and feel of the Recording Academy's Grammy after-party at the Los Angeles Convention Center in 2011. Curtains made from reflective beads added a vintage touch, and lots of sparkle.

For the 2008 event at the New York Public Library, trees provided a natural curtain to separate the cocktail area from the center of the forum, where the dinner and awards took place later in the evening. Bakula Design handled decor.

To separate the perimeter—where cocktails were held—from the dinner area for the event's 2010 iteration, the team hung large lampshades from the ceiling. The pieces measured about two feet high and 22 inches in diameter, and their black and white embellishments were replicated in a pattern projected on the floors. The event again took place at the New York Public Library, with Bakula Design overseeing decor.

In 2006, the gala had an English garden look that tied to the Met's "AngloMania" exhibit of Britain's posh and punk fashion. Event designer David Monn set up 70 tables in separate mini gardens that were hedged by 400 feet of apple trees. The floors were swathed in carpets of spring grass.

Held May 20 at New Yorks's Skylight at Moynihan Station, the event featured foliage in its entry gate. The plants included passion flower vine, plumosa fern, ming fern, steel grass, and sheet moss. Van Wyck & Van Wyck handled design.

For the 2005 event in New York, Guests passed through Raul Avila's 16- by 12-foot curtain of hand-strung orchids before entering the cocktail reception area.

The Daffodil Ball turned the historic Windsor Station in Montreal into an Alice in Wonderland-inspired gala in 2012. A topiary divided the cocktail reception and dining areas. Guests entered the dining room through keyhole-shaped entrances.



At C2 Montréal in May, organizers used custom furniture pieces that were designed to facilitate conversations. Overall there were fewer chairs than people to encourage mingling.


TEDxKalamata hosted its event in Greece’s ancient Theatre of Messini, taking advantage of the amphitheater’s unique atmosphere and seating.

At Cisco Live in San Francisco in May, attendees reclined on beanbag gaming chairs in the halls of the Moscone Center to watch keynotes, do work, and take breaks. Organizers said they chose this style chair as an "edgier but still functional" alternative to traditional beanbags.

Guests had two options for lunch at Cisco Live: they could sit outside in the Yerba Buena Gardens on Cisco-branded blankets or at round tables, or they could eat inside the Moscone Center where organizers used picnic tables and Astroturf to create a park-like feel.

The Cystic Fibrosis Foundation celebrated with its annual Breath of Life gala at the National Building Museum in Washington in 2011. Streamers divided the National Building Museum atrium into three spaces.

Chicago hosted the U.S. Travel Association's IPW conference (formerly known as the International Pow Wow) in 2014. For the opening-night event, held in Chicago's 90,000-square-foot Cinespace film studio, 20 Event Creative staffers worked to together to create a custom "El" train that circulated one room on a set of handcrafted tracks. Video mapping projected images of local Chicago attractions onto two 20-foot-long railcars.

Andrew Lloyd Webber's musical Starlight Express inspired the theme of the 2008 gala benefit for the Children's Place Association. To separate the reception from the dinner area, Joseph Leigh Designs hung fabric panels from the ceiling of Union Station.

About 3,500 people attended the 18th annual dinner October 25 in Washington at the Walter E. Washington Convention Center in 2014. The silent auction areas were defined by white cubes created from slats of Coroplast. The word "evolve" came into focus above the entry. Hargrove produced the event.